The influence of urban space in dramatic conflicts: transnationality in Mexican fiction films

Through this article we will analyze a corpus of Mexican fiction films its classic-industrial period, produced by Pedro and Guillermo Calderón, Palabras de mujer (José Díaz Morales, 1946) Maternidad imposible (Emilio Gómez Muriel, 1955), that have as common nexus the interurban transfers, based on migration phenomenon, exploitation transnational cast influences differentiated urban spaces in narrative conflicts. Those characteristics be delineated studying configuration represented them, interference dramatic structure these identity translations presented consequently. The topic entailments with plots titles allow us to elucidate role awarded capital cities cultural exchange, also essential elements for achievement purposes their characters, promoting (des)centralizing vision those types territories.